For the four years that I’ve lived in Portland, I’ve attended Musicfest NW. It’s always been a long weekend of thought-out adventure and time management that culminates in too little sleep, ear ringing, and general euphoria of seeing dozens of bands across town in venues as small as Bunk Bar to big blow outs in Pioneer Square.
This year, things were different.
When I was thirteen or fourteen, I remember visiting Strawberry Fields on a trip to New York. I had not yet reached the point in my life where I was desperately obsessed with The Catcher in the Rye, and I have never much cared for The Beatles beyond listening with my Dad in the car. All I knew was that John Lennon was shot, and there was a lyric in a song I loved that went,
Last week I had the strangest dream
Where everything was exactly as it seemed
Where there was never any mystery
Of who shot John F. Kennedy
The song is “Sleeping In” by The Postal Service, from their iconic album Give Up.
I may have been a young, careless kid in my post-Avril Lavigne phase, but I loved this album. I played it to fall asleep. I listened to it walking home from school. Beyond Transatlanticism, which was the first album I ever purchased digitally, it is the first record that made me feel things that I couldn’t understand, but that I so strongly identified with.
In the ten years since Give Up’s release and the seven or eight years since I had it on heavy rotation, I have grown in many ways: my music collection has grown exponentially; my taste has expanded infinitely; and my wardrobe is no longer composed of solely band t-shirts and angst-y accessories. But I still feel similar things about Give Up that I always have.
At the time of it’s release, Give Up was important, and it stood apart. In a post-90s power-pop and emo world, I think that Give Up was a breath of fresh air. It did something different. It was a palette cleanser. These days, I don’t think The Postal Service would survive brand new. That just goes to show how influential Give Up was.
Tonight I’m seeing The Postal Service perform at the Rose Garden Arena in Portland. Though I am not as excited as I might have been when I was thirteen or fourteen, I am looking forward to cementing these feelings at long last, and giving my thirteen-year-old self some sort of closure to this singular, hanging album that meant so much to me.
Besides “Sleeping In” my favorite song on the record is probably “Brand New Colony”:
And just for good measure, a song about my hometown:
Hello all! After painstaking negotiation with Spotify, Bandcamp, etc, I am finally ready to present this playlist I’ve made entitled, “Summer @ Whiskey Kiss.” Is it the first of many? Maybe!
I tried to stack this list with new/current music that will put you and keep you in the mood for summer fun. I threw in one summer standby that I’ve had ringing around in my head. Enjoy the YouTube playlist I’ve created, and let me know in the comments if you’d like me to share the Spotify playlist with you! I’ll be posting that on Facebook and Twitter shortly.
1.) The Way It Is – Denver (Denver, 2012)
2.) Unbelievers – Vampire Weekend (Modern Vampires of the City, 2013)
3.) Steady Rollin’ – Two Gallants (What the Toll Tells, 2006)
4.) Sand Talk – Akron/Family (Sub Verses, 2013)
5.) City – Thao & The Get Down Stay Down (We the Common, 2013)
6.) plamreader – Sonny & The Sunsets (Antenna To The Afterworld, 2013) [Note: This is the live at Pickathon version from KEXP. The album JUST came out, so I couldn’t find a video. The version here is really good, but be warned that the album version sounds a bit different!]
7.) Am I Wrong – Mikal Cronin (MCII, 2013)
8.) Dream Captain – Deerhunter (Monomania, 2013)
9.) Helicopter – Wooden Indian Burial Ground (Wooden Indian Burial Ground, 2012)
10.) In The Darkness – Foxygen (We Are The 21st Century Ambassadors of Peace & Magic, 2012)
11.) Toe Cutter – Thumb Buster – Thee Oh Sees (Floating Coffin, 2013)
12.) Demon to Lean On – Wavves (Afraid of Heights, 2013)
13.) Where I Stand – The Thermals (Desperate Ground, 2013)
14.) Mayonnaise – The Woolen Men (The Woolen Men, 2013)
15.) It All Feels Right – Washed Out (Paracosm, 2013)
16.) Plastic Cup – Low (The Invisibile Way, 2013)
Coming up on Whiskey Kiss: This week, I want to review some albums that’ve just come out. Get ready for that and maybe a show calendar… oh, and some tips and tricks for being a music fan in the summer in Portland. Until then–cheers!
It’s been quite a year for Josh Tillman as Father John Misty. Last summer’s Fear Fun has seen wild success, and Tillman continues to wow audiences with his erratic on-stage antics. Saturday night at the Wonder Ballroom alongside Pure Bathing Culture was no exception.
Portland’s own Pure Bathing Culture have me buzzing with anticipation over their first full-length release Moon Tides. Though the band has been active since 2011, it seems like we’ve been waiting forever for a full-length release. The band’s been getting hype from many blogs and has released songs to both Gorilla vs. Bear and Blalock’s Indie Rock Playlist.
Saturday night’s mellow set was a mix of fan favorites like “Ivory Coast” and some new material, like “Pendulum.” The band moved effortlessly between songs, and held the audience’s attention throughout—and performed well enough to distract the audience from Father John Misty’s gaudy stage adornment.
Father John Misty opened with “Fun Times in Babylon,” a staple of his set list. A huge, colorful backdrop of rainbows, mythical creatures, and what appears to be Tillman riding a horse enveloped the band in their own hyperbole. Many of Tillman’s lyrics directly contradict this idea of fantastic decoration—“Try not to think so much about the truly staggering amount/ of oil/ that it takes to make a record”—proving to the audience that he doesn’t take himself too seriously.
This was my fourth time seeing Misty in action, and his performances continue to get more and more ridiculous. I find it charming, but I’m sure some don’t, especially those who do take his music seriously. Hearing the same album performed for the fourth time can get tedious, though, and I think that Tillman’s behavior at least breaks up the monotony a bit.
As per usual, Tillman danced chaotically, swinging his hips and waving his microphone stand in the air, enticing laughs and cheers from the audience. He made jokes—“Hey, where do I have to go in this town to find a vegan donut?”—and never missed a beat performing nearly all of Fear Fun. Antics aside, Tillman’s voice is one to be reckoned with. We don’t care what sorts of theatrics he does if he can hit those notes.
During the encore, the band performed two new songs. “We Met at the Store,” is a solo ballad about a man’s fateful trip to the grocery store that leads him to meet a woman who he intends to marry. The second, “I Love You, Honeybear” is a twisted love song, played with the whole band. Between the songs, Father John Misty performed the Beatles’ “Happiness is a Warm Gun.”
Though Father John Misty could perhaps dissolve into just another project for Tillman, the band has staying power. Two new songs and an obvious following bode well for Fear Fun fans. And if the narrative arch of Tillman’s musical career is any indication, things are only bound to get more exciting.
The past few months have been consumed by laborious paper writing, publishing a weekly newspaper 10 times over, burning bridges, making connections, traveling, conferences, too much beer, turning 21 (finally), and desperately trying to fill the void in my “no-college-for-three-months” life.
During finals week I swore to myself that I would start this blog back up ASAP, because I miss writing for myself and writing about what I love. Unfortunately, the past few weeks have been filled with more Netflix and knitting than blogging and it has taken me a while to get back in the saddle. But I’m here now, and I will be here every week this summer.
Whiskey kiss is BACK y’all, and its going to be better than ever.
Between writing for Rip City Review, having a cool communications internship, working on campus as a PR babe, and living my life to the fullest, we’re going to have lots of fun.
What can you look forward to? Well, I’m headed off to see Father John Misty soon, and I am excited. Fear Fun has been stuck in my head for a year, and Josh Tillman is the most talented performer I’ve seen in a while. Needless to say, I’m looking forward to it. You can look for a review here tomorrow, and one on Rip City Review soon, too!
For now, check out this video that I listen to whenever I’m feeling sad, gooey, or hyped for an FJM concert.
And thanks for having faith in me. This little dream of mine won’t die, and you following my ramblings makes it all worth while!
Beyond 94.7’s “December to Remember” there are a plethora of good tunes to take in in PDX this month. So here it is, your somewhat comprehensive, Zibby approved December show guide. Enjoy!
Portland’s country-sweethearts Denver had their first video for “The Way It Is” debut over at Paste this morning. If you like cowboy boots, dusty bars, bloody lips and members of Blitzen Trapper throwing punches at one another, this video will make you extremely happy.
I’m really excited about this little band called Denver, who released their self-titled LP debut this summer with Mama Bird Recording. Their simplicity, nostalgia, and no-nonsense country vibes are refreshing to me; a taste of Appalachia in the Northwest.
On Wednesday, November 21 Denver is playing at the Doug Fir with Raymond Byron and White Freighters, and Meridian. Tickets are $8. See ya then!